SATURDAY, June 22, 2024 IN PERSON
11 am - 5 pm
Tuition: $125 (plus $4.50 PayPal fee)
If you've ever asked yourself (or others) questions like:
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Why didn't I get invited for that audition, but my friend (who's the same type) did?
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What does "first refusal" really mean?
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I have three 3 agents... why didn't any of them call me?
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What actually makes a "good" headshot?
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What makes a taped audition stand out?
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Why don't I get asked to tape auditions more often?
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How many different headshots do I need?
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Do I really need a reel?
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What's the correct billing for film? For TV? (And no - "principal" isn't correct for either!)
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How do I know if I have a good reel...or if it's doing more damage than good?
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What am I supposed to look for when I sign a contract?
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Should I get an agent in another market?
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How do I work in ATLANTA?
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Do I need a manager?
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Should I join SAG-AFTRA?
Then this workshop is for you! We'll cover those topics and many, many more!
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The Actor's Toolkit (Headshots, Resume, Reel - what you need and how to improve it)
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The Actor/Agent relationship (how to be your agent's GO TO person, how to build trust, what your agent really wants from you, your responsibilities vs. their responsibilities, etc.)
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Correct billing for film, television, commercial, and theatre credits
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Union vs. non-union
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Multi-listing and if it's for you
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Tapings - what's required and how to get your tape noticed!
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Casting websites - how to maximize your presence
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Online submissions - what makes a casting director choose your friend and not you
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Contracts (how to read them, what to look for, how often you're agreeing to things you never meant to)
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Buyout terms
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Rate vs. usage (how to know if it's a project worth doing)
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Industry terms explained (right to work state, in-perpetuity, first refusal, avail, B-roll, etc.)
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How things really work on the casting side
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What casting directors can - and can't - do for you
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Payment times on non-union jobs - who gets paid when
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How to get copies of your footage
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PLUS a Q & A session! Get your personal questions answered!
Class size is very limited to allow for maximum one-on-one attention. Seats fill up fast.
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